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May 26, 2008

15 Hits Recorded on This Date

About 150 jazz recording sessions took place 17f8eatwentysix_3 on this date (May 26) since 1904. After a bit of research and careful re-listening over the long weekend, I selected 15 standouts. Below are the results, in chronological order, captured in studios or live settings between 1925 and 1969. All can be downloaded at iTunes and, in many cases, Amazon:

51zgw54ch3l_sl500_aa240_ 1925—Careless Love Blues: Bessie Smith. Smith recorded this gritty blues backed by Louis Armstrong on cornet along with Nashville Women's Blues, which was used for the disc's B side. Careless Love Blues can be found on a terrific Bessie Smith collection called Itinerary of a Genius. The other track is on Bessie Smith Sings the Blues Vol. 1

1941—Intermezzo: Earl "Fatha" Hines. This piano masterpiece appears on an album519mgqv2sl_sl500_aa280_ called Savoy Blues. Hines also recorded Song of the Islands during the same live session, backed by Henry Levine on trumpet. It's on Way Down Yonder in New Orleans.

1941—A Hundred Years from Today: Jack Teagarden. As you listen to this 51zjli6yocl_sl500_aa280_ track, you can still hear the 1930s jazz tradition lingering into the early 1940s thanks to Teagarden's marinated voice and tasteful playing. Also recorded on the same session were Black and Blue, Blue River and St. James Infirmary. All four recordings feature Teagarden in his soulful prime, and all can be found on Father of Jazz Trombone.

1948—Tonsillectomy: Boyd Raeburn. This sophisticated51tpgdcho6l_sl500_aa280_ minor-key blues composition arranged by George Handy was recorded along with Begin the Beguine at the Hotel Commodore in New York. During the 1940s, Raeburn's bands were hot houses for talent and musical experimentation. Both tracks are on March of the Boyds: 1945-48.

1949—More Moon: Woody Herman. This powerhouse bop classic based on How High the Moon was arranged by Shorty 5158uhpohsl_sl500_aa280_ Rogers and featured the slamming tenor of Gene Ammons, the cool vibes of Terry Gibbs, the scrappy trombone of Bill Harris, and the driving drums of Shelly Manne. Plus, Woody's clarinet comes and goes. The other track recorded this day was the odd novelty number The Crickets, arranged by Ralph Burns. Both are available on the Proper Records box, Woody Herman Story. But you can download a live version of More Moon at Amazon here.

1949—Elysees: J.J. Johnson. This unusual track by J.J.61xyockhyrl_sl500_aa280_ Johnson's Boppers was pianist John Lewis' answer to Miles Davis and Gerry Mulligan's Nonet sessions. It also was Sonny Rollins' fourth recording session. Listen as the track starts out cool but shifts to bop following Lewis' piano solo, as Rollins and J.J. seem unable to solo in the new, more laid back cool style. Also on the date were Kenny Dorham on trumpet, Leonard Gaskin on bass and Max Roach on drums. Opus V, Hilo and Fox Hunt also were recorded by this group on this date. All of the tracks are on Trombone By Three.

51kp15x8zvl_sl500_aa280_ 1952—Easy to Love: Billie Holiday. This Verve date was billed as Billie Holiday and Her Orchestra and featured Charlie Shavers, Flip Phillips, Oscar Peterson, Barney Kessel, Ray Brown and Alvin Stoller. The group recorded eight tracks on this date—and all appear on Billie Holiday Sings (Limited Edition).

1955—Social Call: Art Famer and Gigi Gryce. This brilliantly611ntynnx7l_sl500_aa280_ lyrical Gryce composition as well as Blue Lights, Infant's Song and Isle of Capri were captured in the same session. These tracks can be found on the classic Prestige release When Farmer Met Gryce.

1958—On Green Dolphin Street: The Miles Davis Sextet. Recorded 10 months Picture_1_2 before Kind of Blue, this recording and session remain for me the group's greatest and most influential date. Also recorded on this date by Miles, John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers and Jimmy Cobb were the equally spectacular Fran-dance, Stella by Starlight and Love for Sale. These tracks can be found on the Complete Columbia Recordings: Miles Davis and John Coltrane.

1958—Manteca: Gil Evans. This track along with Bird Feathers,51dcpkz4jgl_sl500_aa240_ featuring Cannonball Adderley were recorded on May 26. Both are on Gil Evans: The Complete Pacific Jazz Sessions. The entire album has the surging, swinging, brassy feel of Miles Ahead, but without Miles, of course.

31q4xks5j4l_sl500_aa240_ 1959—Moanin': Quincy Jones. The Bobby Timmons standard along with Happy Face were recorded for Quincy's Mercury album Birth of a Band. Moanin' can be found on Quincy Jones' Finest Hour.

1964—Time for Two: Bob Brookmeyer.519se1funl_sl500_aa280_ This beautiful medium-tempo ballad with Stan Getz is on Bob Brookmeyer and Friends. Also recorded this day were The Wrinkle, Jive Hoot and Pretty Girl.

1964—Berkshire Blues: Rahsaan Roland Kirk. This uptempo blues includes 41ytx4agrwl_sl500_aa240_ an improvised vocal by Kirk that's reminiscent of Eddie Jefferson. This track, along with Japan and Dirty Money Blues, also recorded on May 26, are on the Complete Mercury Recordings of Roland Kirk.

1965—Dear Old Stockholm: John Coltrane. This 10:35 classic along with21a259gcb5l_sl500_aa130_ One Down, One Up; After the Crescent; and Dear Lord are on the Impulse release Dear Old Stockholm. The John Coltrane Quartet here featured Coltrane, McCoy Tyner, Jimmy Garrison and Roy Haynes.

1969—Vashkar: Tony Williams. This track and much of drummer Tony Williams' 41bk3yvvsbl_sl500_aa240_ Emergency! album was recorded on this date. This album would heavily influence the jazz-fusion groups to follow. Williams' Lifetime group included Larry Young on organ and John McLaughlin on guitar, and they sounded much larger than a trio.

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  • Marc Myers is a New York journalist and historian. His thoughts on jazz and jazz recordings appear here daily.

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