« Interview: Ithamara Koorax (Part 2) | Main | Dameronia: Look, Stop and Listen »

December 16, 2009

Comments

Feed You can follow this conversation by subscribing to the comment feed for this post.

Ed Leimbacher

Pardon the interruption, but your second sentence stopped me in my tracks...
"Chameleon" to my ear sounds too insubstantial for the solid and stolid Hawk. Maybe "Protean"? "Multitudinous"? Well, some word implying bulky, full of substance, but able to adapt or change, to challenge himself in new settings, and usually conquer them too--all the strengths of jazz giant Hawkins that you proceed to discuss. (Okay, thanks. We return you now to your regularly scheduled Wax.)

O'Sullivan, "Red"

Tiny Grimes used to say that he was "the low man on the Tatum pole" - gotta love him for that too.
How does Musa Kaleem's flute sound, in your own opinion, and given you dig flute as much as you do?

The comments to this entry are closed.

About

  • Marc Myers writes on music and the arts for The Wall Street Journal. He is author of "Why Jazz Happened" (Univ. of California Press). Founded in 2007, JazzWax is a Jazz Journalists Association's "Blog of the Year" winner.
Marc Myers Mug (resized)

Contact me

Jazz Book!

  • Click cover to order

Search JazzWax


  • JazzWax
    Web

Subscribe Free

Your email address:*
Please enter all required fields
Correct invalid entries

JazzWax Interviewed



WSJ Articles

JazzWax Interviews

Audio Note

  • Audio clips that appear below JazzWax posts support editorial content that links readers directly to Amazon and other third-party music retailers.

Marc Myers on Video









JATP Programs