Tiny Grimes With Coleman Hawkins - JazzWax

« Interview: Ithamara Koorax (Part 2) | Main | Dameronia: Look, Stop and Listen »

December 16, 2009


Feed You can follow this conversation by subscribing to the comment feed for this post.

Ed Leimbacher

Pardon the interruption, but your second sentence stopped me in my tracks...
"Chameleon" to my ear sounds too insubstantial for the solid and stolid Hawk. Maybe "Protean"? "Multitudinous"? Well, some word implying bulky, full of substance, but able to adapt or change, to challenge himself in new settings, and usually conquer them too--all the strengths of jazz giant Hawkins that you proceed to discuss. (Okay, thanks. We return you now to your regularly scheduled Wax.)

O'Sullivan, "Red"

Tiny Grimes used to say that he was "the low man on the Tatum pole" - gotta love him for that too.
How does Musa Kaleem's flute sound, in your own opinion, and given you dig flute as much as you do?

The comments to this entry are closed.


  • Marc Myers writes regularly for The Wall Street Journal and is author of "Anatomy of a Song" (Grove) and "Why Jazz Happened." Founded in 2007, JazzWax is a two-time winner of the Jazz Journalists Association's best blog award.

Contact me


Click the cover to pre-order my new book, due Nov. 1.

Subscribe Free

Please enter all required fields
Correct invalid entries

Search JazzWax

  • JazzWax

JazzWax Interviewed

WSJ Articles

JazzWax Interviews

Audio Note

  • Audio clips that appear below JazzWax posts support editorial content that links readers directly to Amazon and other third-party music retailers.

Marc Myers on Video

JATP Programs