« Interview: Sammy Nestico (Part 1) | Main | Shellac Flacks' Double Dip »

January 12, 2010


Feed You can follow this conversation by subscribing to the comment feed for this post.

John P. Cooper

I remember when STANDING OVATION on the DOT label was released. It was an oasis in a desert of dismal Basie albums that had been coming out in the 60s on Verve that were so commercial and so un-naturally recorded, along with a couple of LPs on Command and one bizarre Beatles cover LP on label I have forgotten with notes by Ringo Starr, IIRC. Instant cut-out.

DOT was a very commercial label that was big on pop tunes and older big bands playing current pop tunes or re-recording their old hits in stereo. It was very hit and miss, but STANDING OVATION revived the Basie band on record. And it still sound great today.

ray lacroix

As a 96 year old big band fan I will always remember the thrill of hearing the baisie big band and still enjoy his recordings to this day . I think I was priviliged to have lived in Basie time.

Ray Lacroix

The comments to this entry are closed.


  • Marc Myers writes on music and the arts for The Wall Street Journal. He is author of "Why Jazz Happened" (Univ. of California Press). Founded in 2007, JazzWax is a Jazz Journalists Association's "Blog of the Year" winner.
Marc Myers Mug (resized)

Contact me

Jazz Book!

  • Click cover to order

Subscribe Free

Please enter all required fields
Correct invalid entries

Search JazzWax

  • JazzWax

JazzWax Interviewed

WSJ Articles

JazzWax Interviews

Audio Note

  • Audio clips that appear below JazzWax posts support editorial content that links readers directly to Amazon and other third-party music retailers.

Marc Myers on Video

JATP Programs