Interviewing Nat Hentoff at Barnes & Noble in New York last week was a
gas. It's not often that you get to hang out with the people you admire most, let alone share a dais with them in front of an audience. As far as the SRO audience was concerned, Nat could have told stories all night. I was there merely to light the fireworks' fuses by asking short questions about his jazz career and new book At the Jazz Band Ball.
By the way, if you haven't read Nat's Boston Boy: Growing Up with Jazz and Other
Rebellious Passions, you should (go here). The memoir gives you an up close look at where Nat came from, and the writing is as smooth as silk.
It's truly an honor to know Nat as a friend and a privilege that he asked me to serve as his interviewer. Then again, it's an honor to know all of the jazz legends I've come in
contact with over the past three years. My role is simply to preserve their stories and share them all with you. Also gratifying was to hear Nat rave about JazzWax. There's nothing more thrilling than recognition and praise from a childhood hero.
Harvey Pekar (1939-2010), an underground comic-book writer
whose autobiographical American Splendor series perfectly captured the voice of the 1960s male—complete with obsessions, fear, distractions and uncertainty—died in Cleveland Heights, OH, on July 12. He was 70.
Pekar reached a certain level of fame in the late 1980s when he
appeared regularly on Late Night with David Letterman as something of an intellectual foil or modern-day Professor Irwin Corey. Pekar's life and struggles also became the subject of a 2003 movie, American Splendor, starring Paul Giamatti.
Like Robert Crumb, who illustrated many of American Splendor's early storylines, Pekar had a passion for jazz—albeit a more modern period than Crumb's focus. Pekar frequently wrote articles for jazz magazines as well as CD liner notes, including Sonny Stitt: The Bebop Recordings 1949-52.
Here's a jazz frame from one of Pekar's strips:
Gene Lees. Jazz musician Bill Kirchner will be featuring the music of the late Gene Lees on his Jazz From The Archives radio show tonight at 11 p.m. (EST). Lees wrote the lyrics to melodies by Antonio Carlos Jobim, Bill Evans, Milton Nascimento, Lalo Schifrin, Roger Kellaway, Charles Aznavour, Manuel DeSica, and others. Go here from anywhere in the world to access the show.
Nix stix. Jazz.FM91 CEO Ross Porter sent the following photo in an email bearing this subject line: "Session work definitely declining..."
Jimmy Rushing. Blues shouter Jimmy Rushing goes beautifully with the New York heat. Here he is with Billy Taylor and group in 1958, courtesy of Bret Primack:
Carol Sloane. If you're in New York on Tuesday, July 20,
vocalist Carol Sloane will be singing with an all-star group: Ken Peplowski, Byron Stripling, John Allred, Bill Charlap, Ted Rosenthal, Sean Smith and Lewis Nash. For more information, go here. And for Carol's blog, SloaneView, go here.
CD discoveries of the week: Violin and Salsa? Absolutely, and the pair work together splendidly in the hands of violinist Susie Hansen on
Representante de la Salsa. When I first saw this CD's cover, I must confess I worried that the contents would be light. Boy, was I wrong. This album is a first rate Salsa album—merging Hansen's electric violin with flute, horns, a strong percussion section and powerful vocals. If there's a Latin sleeper album of the summer, this is it. You have to love an artist who chooses to give Ides of March's 1960s soul-pop hit Vehicle a Salsa spin. If you dig Latin, I'm convinced this album will blow you away just as it did me. You can sample Susie Hansen's Representante de la Salsa at iTunes or here.
Oddball album cover of the week: Here's another one of
those compilations on the Fontana label, a subsidiary of Dutch Phillips Records. The art director who produced this series had an odd habit of seating his blonde models in strange positions in relation to the superimposed background photo of the featured artist.


Marc, I always end up buying the albums you feature. That Susie Hansen CD is the BOMB. Thanks for recommending some very good sides.
Posted by: John Hulaton | July 18, 2010 at 12:21 PM
I am sorry to hear of Harvey Pekar's passing; it seems to have slipped under the big and mid-sized media radar. Thanks for acknowledging and celebrating him.
Posted by: Rab Hines | July 18, 2010 at 12:38 PM
JazzWax, you've been had. It's true that the D.O.A. saxophonist is not Illinois Jacquet. But you've been hoodwinked into thinking that it's Von Streeter. Amidst all those billowing clouds of cigarette smoke (or is that Frisco's fabled fog?) in the packed, dimly lit club, tenorman James Von Streeter & His Wig Poppers perform onscreen. HOWEVER, the soundtrack employs unseen musicians, including tenorman Maxwell Davis. See David Meeker's authoritative book, Jazz in the Movies (Da Capo Press, 1981); item #736 lists complete personnel for both onscreen and offscreen performers.
Posted by: Alan Kurtz | July 18, 2010 at 10:10 PM