« Interview: Louis Hayes (Part 2) | Main | Frank O'Hara on Billie Holiday »

October 21, 2010

TrackBack

TrackBack URL for this entry:
http://www.typepad.com/services/trackback/6a00e008dca1f08834013488595d71970c

Listed below are links to weblogs that reference Interview: Louis Hayes (Part 3):

Comments

Feed You can follow this conversation by subscribing to the comment feed for this post.

Bill Kirchner

After Louis Hayes left Horace Silver late in 1959, he and Sam Jones became one of the finest bass-and-drums teams of the '60s--first with Cannonball Adderley (1959-65), then with Oscar Peterson (1965-67).

Bass-and-drums hook-ups are rarely discussed except by musicians, who value them highly. Other great pairings of that decade included Israel Crosby and Vernel Fournier, Ray Brown and Ed Thigpen, Paul Chambers and Jimmy Cobb, Eugene Wright and Joe Morello, Scott LaFaro and Paul Motian, Jimmy Garrison and Elvin Jones, Ron Carter and Tony Williams, Richard Davis and Mel Lewis, Richard Davis and Alan Dawson, Bob Cranshaw and Mickey Roker, and Dave Holland and Jack DeJohnette.

Chris Galuman

What a Cannonball video! - Whew!

The comments to this entry are closed.

About

  • Marc Myers writes frequently on music and the arts for the Wall Street Journal. He is author of "Why Jazz Happened" (University of California Press). JazzWax has been named the Jazz Journalists Association's "Blog of the Year."
Marc Myers Mug (resized)

Contact me

Jazz Book!

  • Click cover to order

Search JazzWax


  • JazzWax
    Web

Subscribe for Free

Enter your email address:

Delivered by FeedBurner

JazzWax Interviewed



WSJ Articles

JazzWax Interviews

Audio Note

  • Audio clips that appear below JazzWax posts support editorial content that links readers directly to Amazon and other third-party music retailers.

Marc Myers on Video









JATP Programs