Urbie Green is easily one of the smoothest and most lyrical trombonists of the '50s and '60s. He's also among the most prolific. From his days with Gene Krupa in the late 1940s until his last recording in 1997, Green was on an astonishing 603 known jazz recording sessions, according to Tom Lord's Jazz Discography. This doesn't include dates for movie soundtracks or television. By contrast, trombonist Jack Teagarden was on 507 dates and trombonist J.J. Johnson was on 355. Tommy Dorsey? He was on 1,153 dates. One of Green's finest early '60s sessions was The Persuasive Trombone of Urbie Green.
Recorded in February 1960, the album featured Nick Travis, John Bello, Don Ferrara and Doc Severinsen (tp), Urbie Green and Bobby Byrne (tb), Gil Cohen (b-tb), Hal McKusick (as), Rolf Kuhn (as,cl), Eddie Wasserman (fl,ts), Pepper Adams (bar), Dave McKenna (p), Barry Galbraith (g), Milt Hinton (b) and Don Lamond (d). On half the tracks, Gene Allen (bar) and Nat Pierce (p) replaced Pepper Adams and Dave McKenna.
This session was recorded for Command, a label started in 1959 by Enoch Light and George Schwager in Harrison, N.J. The line was marketed to early audiophiles—code at the time for guys who liked "bachelor pad" music. Command was big on the exaggerated separation of stereo tracks to create a highly dynamic range. Albums appeared in glossy, high-quality gatefold covers with explosive abstract designs. Interestingly, Command was one of the first companies to use 35MM film for master recordings instead of magnetic tape. The recording band on film held more informationand was superior for improved fidelity.
Persuasive Trombone was the 15th album issued by Command, and the first of many that Urbie recorded for the label in the 1960s. What makes this particular album special is the hip swinging arrangements, the band's knot-tight attack and Green's rich swinging horn. Unfortunately, the back of the original album was devoted to text rattling on about the album's technical data rather than who wrote the arrangements. According to Tom Fine, who pulled the original album, the charts were by Bobby Byrne and Lew Davies.
There are plenty of surprises. The first track—At Last—opens with an I Can't Get Started intro but then kicks into a mid-tempo swinger. There's fine piercing solos by trumpeter John Bello on Prisoner of Love, Dream and other tracks. The album ends, interestingly, with a simple and beautiful working by Green of I Can't Get Started.
Throughout his career, Green's appeal rested with his ability to sing beautifully through his trombone. He employed a velvety tone and a breathing technique that erased any evidence of taking a breath. Notes seemed to pour from a pitcher, and Green somehow managed to move effortlessly up and down along the surface of melodies like a cue ball on marble.
This album is sultry and seductive and yet still swings without bringing down the house.
JazzWax note: Tomorrow (Thursday) I will be the guest of John Greenspan—esteemed host of Good Morning Jazz on KSFR-FM. The show is broadcast from sunny Santa Fe, N.M. John will be spinning platters, and we'll be chatting about Sonny Rollins, Tony Bennett, Dave Brubeck, Kai Winding and J.J. Johnson. When: 10:30 a.m. (MDT)—or 12:30 p.m. New York time (EDT). You can listen from anywhere in the world on your computer by going here and clicking "listen live" in the upper right-hand corner. See you then!
JazzWax tracks: The Persuasive Trombone of Urbie Green (Command) can be found as a download at iTunes and here.
JazzWax clip: How good is Urbie Green on this 1960 hi-fidelity disc? Here he is on I Had the Craziest Dream. That's Hal McKusick's alto behind him throughout...
And here's At Last with the I Can't Get Started setup...