We tend to think of Ahmad Jamal as a pioneer of the elegant jazz trio, a style he perfected starting in the early 1950s by making ample use of space, swing and the upper register of the piano keyboard. Or we think of Ahmad's more recent abstract recordings that are bold and percussive. In between, there was a brief period when Ahmad recorded on the Fend…
Keep reading with a 7-day free trial
Subscribe to JazzWax to keep reading this post and get 7 days of free access to the full post archives.

