In the late 1940s and early 1950s, there were more women in jazz than is customarily known or documented. We tend to think of jazz as men's music, with a smattering of women functioning primarily as novelty acts. Men also thought that way back then, making life doubly difficult for female artists. The view was perhaps best summed up by manager Joe Glase…
Keep reading with a 7-day free trial
Subscribe to JazzWax to keep reading this post and get 7 days of free access to the full post archives.