Speed set Bill De Arango apart. When he arrived in New York from Cleveland in 1944, he fit in almost immediately on 52nd Street. In 1945, when World War II ended and bebop began nudging swing aside, De Arango was perfectly positioned. A terrifyingly fast player, he was among the few guitarists at the time who could keep up with horn players and pianists…
Keep reading with a 7-day free trial
Subscribe to JazzWax to keep reading this post and get 7 days of free access to the full post archives.

