Yep, just like the 1964-’65 World Fair, the future looks pretty darn bright at JazzWax.
First, thanks one and all for your heart-warming comments and emails about the clean and dynamic look and feel of the new JazzWax.
Now, a progress report, then a treat:
The Archive—we’re currently finishing up work on the JazzWax Archive (see the tab above labeled “2007-2025”). We’re busy uniting all multipart interviews into a single post and loading back artwork.
You can search for past JazzWax posts at Google (for example, “JazzWax + Charlie Parker”). Or use the search bar in the Archive section.
For interviews, you now have a linked list on the home page for easy access. It’s alphabetized by the subject’s first name. Just click and you’re there.
WSJ—for followers and readers of my music essays and Hollywood interviews for The Wall Street Journal, you’ll find these under the “WSJ” tab. I update this section each week by posting my latest pieces at the end of the day, without an email blast. I do this to avoid bothering those who don’t have a WSJ.com subscription.
All of this crisp organizing is to make your JazzWax experience easy, breezy, fun and resourceful.
Unless you’re a free subscriber. Then you receive only two free posts per week but zero access to the site or the three posts you’re missing out on.
Please help support JazzWax. Upgrade to become a paid subscriber. Get rid of those online magazines, blogs and streaming platforms you don’t read often enough to make them worthwhile. Then you’ll have the subscription fee plus plenty left over for dinner out.
Your support not only tells me JazzWax has value, it motivates me to do more to please the paid readership.
How to upgrade—Find the “Upgrade to paid” button on any post or in the “Manage subscription” section of your account settings.
Then you’ll receive my five weekly posts as well as 24/7 access to the site, the old JazzWax (all 6,000 posts), the complete catalog of interviews and much more. You’ll also be happier and wiser.
Now for the treat—my latest streaming picks in case you’re stuck for something to watch this weekend:
WHAT I’M WATCHING
Watched and enjoyed this past week...
Nouvelle Vague (Nov. 14/Netflix)
Breathless (1960) (Max)
Here’s the Nouvelle Vague trailer, with Zoey Deutch as Jean Seberg…
And here’s Breathless (1960), which launched France’s New Wave film movement…
My top 33 favorite films and series, ranked...
Babylon Berlin
Adolescence
Sovereign
Landman
My Brilliant Friend
Nouvelle Vague
Twisted Tale of Amanda Knox
Good American Family
Killing Eve
The Crown
Mad Men
The Americans
Younger
Fleabag
Band of Brothers
The Sopranos
Enlightened
Friday Night Lights
Justified
The Promised Life
Feud: Bette and Joan
Feud: Capote vs. the Swans
The Old Man
Downton Abbey
The Blacklist
Goliath
Julia
The Gentlemen
Turn: Washington’s Spies
Unbelievable
Voiceless (Bella da morire)(2020/MHz)
Black Doves
Web Therapy
ARCHIVE
TV series
The Affair—(2014-2019/Hulu)
Alaska Daily—(2022/Prime)
The Americans—(2013-2018)/Prime)
Anatomy of a Scandal—(2022/Netflix)
Apples Never Fall—2024/Peacock)
Babylon Berlin (2017-2024/MHz via Prime Video)
Band of Brothers—(2001/Netflix)
The Bay (2019-current/BritBox)
Black Doves (2024/Netflix)
The Blacklist (2013-2023/Netflix)
Blindspot (2015-2020/Netflix)
Belgravia—(2020/Prime Video)
The Bletchley Circle (2012/Britbox)
Blue Lights—(2023/BritBox)
Bosch—(2014-2021/Prime)
Bosch: Legacy—(2022-current/Prime)
The Crown—(2016-2023/Netflix)
Cherif—(2013-2019/Prime)
Dark Winds—(2022/AMC)
The Diplomat—(2023/Netflix)
Downton Abbey—(2020-2015/Prime)
The Dropout (2022/Hulu)
Elizabeth 1 (2005/Max)
Emily in Paris—(2020-present/Netflix)
Enlightened—(2011-2013/Max)
Feud (S1): Bette and Joan—(2017/Hulu)
Feud: Capote Vs. The Swans—(2024/FX, with streaming on Hulu)
Fisk—(2021/Netflix)
Friday Night Lights (2006-2011/Netflix)
The Gentlemen—(2024/Netflix)
Godless—(2017/Netflix)
Goliath—(2016-2021/Prime)
The Gilded Age—(current/Max)
High Water—(2022/Netflix)
Homeland—(2011-2020/Showtime)
Il Commissario Manara (Inspector Manara) (2009-2011/MHz)
Jane Eyre—(2006/Britbox)
Justified—(2010-2015/Hulu)
Killing Eve—(2018-2022/Netflix)
Life & Beth—(Seasons 1& 2, 2022-present/Hulu)
Lincoln Lawyer—(2022-present/Netflix)
Lioness—(2023-current/Paramount+)
Loudermilk—(2017-2020/Netflix)
MI-5, the Series—(2002-2011/BritBox)
Mobland—(2025/Paramount+)
Monsieur Spade—(2024/AMC)
Murdaugh Murders: The Movie, Parts 1 and 2—(2023/Lifetime)
My Brilliant Friend—(2018-current/Max)
The Night Agent—(2023-present/Netflix)
1923—(2022-present/Paramount+)
1883—(2021-2022/Prime)
The Old Man—(2022/Hulu)
On Call—2025/Amazon Prime)
Outlander—(2014-present/Netflix)
Protection—(2024/S1/BritBox)
The Perfect Couple—(2024/Netflix)
Poldark—(2015-2019/Prime)
The Promised Life—(2018/MHz via Prime Video)
Reacher—(2016-present/Netflix)
Ripley—(2024/Netflix)
Scott & Bailey (2011-2016/Prime)
The Spy—(2019/Netflix)
Turn: Washington’s Spies—(2014-2017/Prime)
Unbelievable—(2019/Netflix)
Under the Banner of Heave—(2022/Hulu)
Veronica Mars—(2004 to 2019/Hulu)
Voiceless (Bella da morire—(2020/MHz)
The Watcher—(2022/Netflix)
The Way Home—(2023-current/Peacock)
Who Is Erin Carter—(2023/Netflix)
The Woman in the Wall—(2024/Showtime)
The Veil—(2024/Hulu-FX)
Web Therapy—(2011-2015/Fandango)
Wilder—(2017-current)
WPC 56—(2013-2015/Britbox)
Yellowstone—(2018-present/Paramount Network)
Younger—(2015-2021K/Netflix)
Films
Anna (2019/Tubi)
The Accountant—(2016/Hulu)
American Gangster—(2007/Max)
Armageddon Time—(2022/Prime)
The Ballad of Buster Scruggs—(2018/Netflix)
The Ballad of Lefty Brown—(2017/Netflix)
Blackout (2022/Netflix)
The Bricklayer—(2024/Netflix)
The Commuter (2018/Netflix)
The Dig—(2021/Netflix)
Eiffel—(2021/Prime)
Enola Holmes 1 and 2—(2022/Netflix)
Enrico Piaggio - Un Sogno Italiano (An Italian Dream) (2019/MHz)
The Equalizer 1, 2 and 3—(2014-2024/Prime)
The Great Lillian Hall—(2024/Max)
The Family Man—(2000/Netflix)
Fury—(2014/Netflix)
God’s Country—(2022/Hulu)
Guy Ritchie’s The Covenant—(2023/Prime)
I Used to Be Funny (2023/Netflix)
Jack Reacher (the movie)—(2012/Paramount+)
Just My Luck (2006/Paramount+)
Kill Chain—(2019/Max)
Killers of the Flower Moon—(2023/Apple+)
La Palma (2024/Netflix)
Life or Something Like It—(2002/Netflix)
Knight and Day—(2010/Roku)
Last Night in Soho—(2021/Prime)
Last Seen Alive—(2020/Netflix)
The Little Things—(2021/Netflix)
Lonely Planet—(2024)/Netflix)
Man on Fire—(2004/Max)
Manchester by the Sea—(2016/Prime Video)
MI-5—(2015/Max)
The Mule—(2018/Netflix)
The Night Agent—(2023/Netflix)
99 Homes—(2014/Roku)
Nobody—(2021/Prime)
Nobody Wants This—(2024/Netflix)
Number 24—(2024/Netflix)
Ordinary Angels—(2024/assorted platforms)
The Pledge—(2011/Peacock)
Purple Hearts—(2022/Netflix)
The Queen—(2006/Paramount+)
The Queen’s Gambit—(2020/Netflix)
Queenpins—(2021/Pluto TV)
Reptile—(2023/Netflix)
Ruthless—(2023/Hulu)
The Secret: Dare to Dream—(2020/Netflix).
Sicario (2015/Netflix)
Self Reliance—(2023/Hulu)
Seraphim Falls—(2006/Netflix)
Some Girl(s)—(2013/Amazon Prime)
Somewhere in Queens—(2022/Hulu)
Spy(ies)—(2009/Prime)
The Stranger—(2022/Netflix)
Toscana—(2022/Netflix)
The Two Popes—(2019/Netflix)
Up in the Air—(2009/Max)
Woman in Gold—(2015/Max)
Wonder Wheel—(2017/Prime)
Documentaries
Aftershock: Everest and the Nepal Earthquake—(2022/Netflix)
The Beach Boys—(2024/Disney)
Carole King: Live in Central Park—(2023/PBS)
Chet Baker: Let’s Get Lost
The Comeback—(2005 and 2014/Max)
Cunk on Earth—(2022/Netflix)
Cyndi Lauper: Let the Canary Sing—(2023/Paramount+)
Facing Nolan—(2022/Netflix)
Five Came Back—(2017/Netflix)
Jane Fonda in Five Acts—(2024/Max)
Kate Hepburn: Call Me Kate—(2023/Netflix)
Let’s Get Lost: Chet Baker (1988)
The Only Girl in the Orchestra—(2023/Netflix)
The Stones and Brian Jones—(2023/Hulu)
Suzi Q: Suzi Quatro—(2019/Prime)
The Volcano: Rescue from Whakaari—(2022/Netflix)



This is a great post, Marc. If readers didn't upgraded yet... hmhhh... please do. Believe me folks, I know what good jazz journalism means. I read jazz magazines since decades. For example there is a german jazz magazine "Jazz Podium", which I subscribed since the mid 80s. But I cancelled the subscription about a year ago after a long period of serious consideration. It wasn't fun anymore to read most of the long boring articles. To bring it to the point: I wasn't looking forward anymore for each new issue and that's why I made the cut. It's totally different with JazzWax. I'm really looking forward to each and every post. And your choices of topics are really something, Marc.
By the way, since I'm a big jazz fan I'm also a big movie and TV shows buff. And since about 10 years some great boutique labels released great stuff. Like wonderful Film Noir movies, etc. That's why I love your ranking lists so much.
P.S. "Babylon Berlin" gets one last season next year. 👍