From his earliest small-group recording session with trumpeter Tony Fruscella in February 1952, Herb Geller's sound on the alto saxophone was distinct and vibrant. There was enormous power, spidery speed, seamless ideas and a soaring tone that immediately commanded attention. Though he would be thought of as a West Coast musician in the years to follow,…
Keep reading with a 7-day free trial
Subscribe to JazzWax to keep reading this post and get 7 days of free access to the full post archives.

