In 1967, Phil Ramone began engineering a string of Dionne Warwick's hits by Burt Bacharach and Hal David. If Bacharach and David were America's equivalent of Lennon and McCartney (perhaps even bigger by some accounts), then Phil was akin to George Martin. But unlike the Beatles, there was no overdubbing. Instead, everything was recorded at once, and Phi…
Keep reading with a 7-day free trial
Subscribe to JazzWax to keep reading this post and get 7 days of free access to the full post archives.