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Bill Kirchner's avatar

On the second and third (tenor) versions, Stitt’s melody statements sound remarkably like Lester Young—no surprise.

The first version (alto) is in Bb concert; the second (tenor) is in F concert. That means that Stitt used the same saxophone fingerings on both versions. Clever man, eh?

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Marc Myers's avatar

Brilliant, Bill. Great analysis.

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Heard Follower's avatar

My first read of yours - thanks for sharing this.

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Marc Myers's avatar

Glad you enjoyed!

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John Mclernan's avatar

Thanks for your tribute to Sonny, always soulful and great technique, his roost recordings are also great, as is his duets with Gene Ammons

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Martin Black's avatar

Lou Levy is underrated IMHO

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Marc Myers's avatar

Big time, Martin.

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Robert Wright's avatar

Really smooth interface for you here Mark. (Your blog could get clunky sometimes.)

If in 1926 a young woman were hanging around with a group of people enjoying this song, she might get kissed.

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Marc Myers's avatar

Thanks, Robert. My goal was to create the emotional equivalent of an amusement park at dusk or the inside of a pinball machine. Readers can spend hours. No park benches, but they're more comfy at home anyway. Welcome to the new scene.

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Robert Wright's avatar

Very cool scene. We actually met once at a book signing in AZ.

Great to see you here. I think you’ll find this a nice fit. I hope you’ll be able to allow access to the catalogue of interviews you’ve conducted over the years.

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Marc Myers's avatar

You will have access to that as well. We are in the process of organizing them and indexing so they're easy to pull up. Still a work in progress.

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