11 Comments
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Bill Kirchner's avatar

On the second and third (tenor) versions, Stitt’s melody statements sound remarkably like Lester Young—no surprise.

The first version (alto) is in Bb concert; the second (tenor) is in F concert. That means that Stitt used the same saxophone fingerings on both versions. Clever man, eh?

Marc Myers's avatar

Brilliant, Bill. Great analysis.

Heard Follower's avatar

My first read of yours - thanks for sharing this.

Marc Myers's avatar

Glad you enjoyed!

John Mclernan's avatar

Thanks for your tribute to Sonny, always soulful and great technique, his roost recordings are also great, as is his duets with Gene Ammons

Martin Black's avatar

Lou Levy is underrated IMHO

Marc Myers's avatar

Big time, Martin.

Robert Wright's avatar

Really smooth interface for you here Mark. (Your blog could get clunky sometimes.)

If in 1926 a young woman were hanging around with a group of people enjoying this song, she might get kissed.

Marc Myers's avatar

Thanks, Robert. My goal was to create the emotional equivalent of an amusement park at dusk or the inside of a pinball machine. Readers can spend hours. No park benches, but they're more comfy at home anyway. Welcome to the new scene.

Robert Wright's avatar

Very cool scene. We actually met once at a book signing in AZ.

Great to see you here. I think you’ll find this a nice fit. I hope you’ll be able to allow access to the catalogue of interviews you’ve conducted over the years.

Marc Myers's avatar

You will have access to that as well. We are in the process of organizing them and indexing so they're easy to pull up. Still a work in progress.