With the rise of stereo sound in the late 1950s, many record labels and producers sought to widen theLP’s audio dimensions. They accomplished this by recording jazz instrumentals arranged and engineered to separate different sections of the band. This allowed the sound on phonographs to appear wider apart and have greater dimension and impact. [Photo ab…
Keep reading with a 7-day free trial
Subscribe to JazzWax to keep reading this post and get 7 days of free access to the full post archives.


