No single musician had more influence over the way tenor saxophonists sounded and played in the 1940s and 1950s than Lester Young. From Al Cohn, Zoot Sims and Stan Getz to Wardell Gray and Sonny Stitt, tenors who came up during the swing and bebop periods idolized Young's cool, bluesy intonation and worked hard to sound as much like him as possible.
But …
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