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Peter Coppock's avatar

I’ve read that Sinatra had a great debt of gratitude for Shorty. Not only for the score of “Man with the Golden Arm”, but also coaching him on the ways in which a jazz musician would act.

Christian Muermann's avatar

Just heard all the tracks and saw the clip from the Aurex Jazz Festival. As always, great selection. 👍

I hope it's okay if I point out a book that really inspired me:

"Music for Prime Time - A History of American Television Themes and Scoring" by Jon Burlingame

https://global.oup.com/academic/product/music-for-prime-time-9780190618308

Todd S. Jenkins's avatar

I had the pleasure of booking Shorty a couple of times in the early 90s. For a titan of arranging he was remarkably shy and self-effacing, but friendly and articulate. While I never thought much of his abilities as a soloist, his mastery of orchestration was second to none.

Martin Black's avatar

damn, that wild one cover sure is hep!

Solitaire Miles's avatar

This is awesome, thank you Marc

Charles Powell's avatar

'Score Doctor': Love it!

Thanks, Marc!

Bill Kirchner's avatar

In Mancini’s autobiography (written with Gene Lees), there’s a fascinating story about how

Shorty turned down Mancini’s request for Shorty to arrange the first LP of "Peter Gunn" music—insisting that Mancini do it himself. As a result of Shorty’s unselfishness, this best-selling album made Mancini a star.

Marc Myers's avatar

Great comment, Bill. Thanks!

Ddavid littofsky's avatar

What about the soundtrack album for “Tarzan The Apeman”. His soundtrack for the actual film is very modern for Tarzan. The cover tells it all- look it up

Ddavid littofsky's avatar

The Ape Man. (1959 )can’t copy photo